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| Review: Cardersound Madison Speaker |
Madison Review
The
Madison is a single driver, back loaded horn (BLH) speaker based on a
well established design posted on the Frugel-horn website. It stand 6’
high, 18” deep and 13” wide and is designed to work with an 8 inch
driver; Fostex 206E in the case of the Cardersound Madison.
The
Madison is not my first BLH. I had owned (and still do) a Fostex 126E
BLH for six month prior to purchasing the Madison. I am attracted to
single driver BLH mainly due to their speed and amazing natural sound,
most notably pertaining to vocals and strings. Although I was well
pleased with my Fostex 126E BLH, I wanted something a little more
efficient as I want to build a 45 (2 wpc) SET; in short, I was looking
for more of the same.
Step in Jeff from Cardersound. Jeff had
just started up Cardersound and was offering a single driver BLH
utilizing the more efficient Fostex 206E at a very affordable price.
Jeff had some prototypes set up, so I went to audition. Although I was
unable to audition the Madisons via analogue and tubes as I normally
listen, I was suitably impressed and purchased.
Jeff dropped off
the Madisons three weeks after I placed the order. Even while unloading
I was struck by the fit and finish. I had ordered my speakers in maple
veneer. They were simply stunning. Fit and finish easily matches the
Madisons nearest competitor, the Cain&Cain IBen. Not only is the
Madison superbly finished, but a lot of attention to detail had been
done, f.e. even the baffle steps in the horn mouth had been veneered
and the binding post had been personalized. Way cool. These speakers
definitely qualify as “eye candy”. And at 6’, they are hard to miss.
Sound
was very good straight out the box, but I burned the speakers on a
Hagtech frycleaner daily for two weeks before forming an opinion on the
sound. Describing the sound of the Madisons is almost a contradiction
in terms as the sound is both big and very delicate.
The six
foot double mouthed horn throws a huge soundstage. This is mainly due
to the fact that the double horn arrangement loads both the floor and
the ceiling. These are really the first speaker that I have heard that
matches the huge soundstage I experience when sitting in the 2 or 3 row
at the opera. Absolutely stunning. Even the deaf wouldn’t be able to
miss their presence. The sound envelops you like a warm comforter.
The
Madisons are blisteringly fast and dynamic, and can play extremely
loud. The frequency extremes are remarkably extended, so much so that I
damped the horn with a little poly-fil as the bass was overpowering my
smallish room. Yes, they do rock very well.
However, the
speakers are also very polite, natural and accurate, capable of
conveying the smallest detail with remarkable delicacy. Intricate
pieces by Kenny Dorham, Herb Alpert/Hugh Masekela, Earl Klug are
presented with such delicacy that it was hard to end my listening
sessions at night. (I get up at 5am each morning) I found myself
listening to LP’s I never before cared much for till early hours of the
morning.
Vocals are especially good. I sometimes get a lump in
my throat when listening sopranos like Maria Callas or Montserrat
Caballe in systems that reveal the emotion in the music, but the
Madisounds are so good at conveying emotion that artists like Willie
Nelson, CSN&Y, Cat Stevens had me doubting my sexual orientation!
Willie Nelson and Waylon Jennings’ cover of “Whiter Shade of Pale”
sounded like I was at the studio. Absolutely remarkable, especially
since I never really cared much for country music, nor Willie Nelson or
Waylon Jennings.
The biggest endorsement I can give the Madisons
is that as big as these behemoths are, you are just not aware of them
at all. They seem to get out the way and all you are aware of is how
good the artists sounds. This is the closest I have need to being at
the opera, or at the recital/recording studio with the artist right in
front of me.
Without exception, my friends that have come to
listen were initially very impressed with the build quality of the
speakers, but once the needle dropped, they all forgot about the
speakers and were all very impressed by the artist/music.
If
you are in the market for a BLH, or simply wondering how good BLHs are,
you should consider a pair of Madisons. They are simply remarkable, and
Jeff at Cardersound is remarkably helpful and easy to deal with.
Associated gear
Oracle Delphi 5 Turbo PS/Graham 2.2/Koetsu Rosewood Signature
Technics SP 15/Audio Technica ATP-12T/Wood body DL103R
Pass Labs Xono (BG N and TFTF V-CAPS coupling caps, BG VK bypass caps)
Bottlehead Seduction (Dynamicap coupling caps, C4S, Jenson PS Cap, PS Choke, AN Tants in signal path, NOS tubes)
Home rolled switchbox (shellco switches, 28awg solid core silver wiring, cardas RCAs)
Audionote
6550 SE (Dynamicap Coupling caps, BG cathode caps, AN Tants in signal
path, upgraded volume pot, silver hookup wiring, NOS tubes)
Similar products
Meadowlark Shearwater Hotrods
Fostex 126E BLH
by Pauly on 03-26-08 |
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